
Lace translated into platinum
and diamonds. This is the phrase used to describe
Edwardian jewelry. The Edwardian Period was a short
period, dating from 1901 to 1910, during the reign of
King Edward VIII, son of Queen Victoria. Edward was 56
years old when he succeeded to the throne. The Edwardian
Period is sometimes lost or forgotten, sandwiched between
two great periods, that being Art Nouveau and Art Deco.
The opening years of the century were still under the
spell of Art Nouveau. While many Art Nouveau artists
concentrated on design, many of the larger firms such as
Cartier and Tiffany were making headway in improving the
appearance, setting and cutting of diamond jewelry. In
direct contrast to Art Nouveau, many of the designs
initiated between 1901-1910 were rather understated. The
restraints of Victoria's era were followed by the
extravagance and sophistication of the reign of Edward
VIII. Edwardian jewelry was the jewelry of high society
and nowhere was the Edwardian style more apparent than in
the jewelry of the period.
As discussed previously, many of the periods had
overlapping characteristics and Edwardian jewelry was no
exception. It had its roots in the closing years of the
Victorian period. In contrast to diamond jewelry made in
the late 19th century, diamonds were made to look as fine
and delicate as possible in order to blend with the lace,
silk, and feathers, or marks of total femininity of the
Edwardian lady. Diamonds were essential in the
development of an Edwardian piece of jewelry, with many
of these pieces being among the finest jewelry ever made.
Princess Alexandra, Edward's
wife, and the Princess of Wales had a great influence on
fashion of the period. Probably the strongest influence
on Edwardian jewelry was the dramatic progress made in
gem stone cutting. The pear shape lent itself well to the
elegant Edwardian themes, but the stone cutting used in
Edwardian jewelry was just a hint of what was to come in
the subsequent period, Art Deco. Other characteristics of
Edwardian jewelry include the extensive use of platinum.
Invisible settings of platinum extended and flattered the
brilliance and whiteness of the stones. Millgrained
setting was made popular during the period. Millgraining
required that a thin bead of metal securing the stone
would be ridged and textured with tiny grains or beads.
This effect would create an extremely fine, almost
imperceivable rim around the diamond. Knowing the
strength of platinum, designers skillfully produced
pieces that were extremely thin and lightweight,
masterpieces of engineering. Platinum also lent itself to
the open work designs and scalloped patterned edges that
gave the illusion of fine hand-made lace, unmistakably
Edwardian. Also very characteristic of the period was the
use of knife edge wires. These were thin blades of metal
with a sharp edge facing upwards, so that only a fine
"knife edge" of metal was visible.
The bow, which is characteristically Victorian, took
on a new meaning in the Edwardian period. Made of
platinum and produced in a honeycomb pattern of fine
mesh, the bow was used to match the delicate fabrics and
hand embroidery worn by the rich. Brooches, pendants, and
rings were also made in that very delicate style. One
design that emerges during this period was the "Negligee"
pendant. It had two drops of unequal length hanging from
another single stone or a thin chain. The "sautior,"
a long necklace consisting of pearls or a find chain
ending in a tassel, was also made popular during the
period.
Although much of the jewelry produced during the
period was grand and expensive, many other less expensive
pieces were also made popular. Bar brooches, half hoop
bangles set with pearls, diamonds, or colored stones,
gypsy rings worn by both men and women, cross over, half
hoop, snake rings, and gold chain bracelets set with
turquoise and pearls. Star settings also became popular
during this period. Although much of this jewelry was
produced late in the Victorian period, it is recognized
as being Edwardian.
The prosperity and open display of wealth were brought
to an abrupt end by the realities associated with World
War I. The attitude that would emerge following World War
I was one that would surprise the whole world. The
Edwardian period, as we know it, would never be
recaptured.
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